[gimp-book-painting] Update style-and-gimp.md, added Simulacro on paint dynamics...

[Americo Gobbo <amerigo src gnome org>]

commit c77f7a633a8b3696eb5430dd249682fc76deab0b
Author: Americo Gobbo <jag rabisco gmail com>
Date:   Tue Dec 7 21:36:52 2021 +0000

    Update style-and-gimp.md, added Simulacro on paint dynamics...

 style-and-gimp.md | 6 ++++++
 1 file changed, 6 insertions(+)
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diff --git a/style-and-gimp.md b/style-and-gimp.md
index 6f3c8c6..8d7ff47 100644
--- a/style-and-gimp.md
+++ b/style-and-gimp.md
@@ -26,3 +26,9 @@ In many situations the user can, if he wants, customize a "prêt-a-porter" the t
 Is possible that a certain rules these presets could cause in our styles… mainly if this fact is not clear 
for the users, in this sense, I think very important to know well these aspects during the design of presets, 
mainly if we have intention to share them. So, is very important for the default presets on the painting 
applications, to have an approach more classical for the painting techniques, must be more possibly 'basics'. 
As advice I read today a quote very interesting wrote by Brian Eno that is useful in this issue about Tool 
Presets as Prêt-à-porter:
 
 "Stop thinking about art works as objects, and start thinking about them as triggers for experiences."
+
+## Simulacro on paint dynamics
+Has a tendency to explain the realty as place ideal where the focus is the simulacro, the copy of the copy, 
the hiperealism rappresents this tendency in the art and fine arts.
+Sensations that this apple is so real that it seems made of plastic material or 'fake'.
+The tools presets and paint dynamics are artefacts to simulate and certain sense a simulacro of painting 
techniques... the author of presets and paint dynamics is getting the imprinting of own emotions e mimics.
+To build good paint dynamics is more difficult what we can think, the emotions, the mimics must be 
considered as important variables on that.